Katie Mccullough Talks and Writes

Words will get written here and some videoblogs will appear. You don't have to look but it would be nice if you did.

DROPPED SEQUINS for #FUTURESPARK is cast! July 2, 2013

I’m thrilled to say that my short play DROPPED SEQUINS for How It Ended Productions’ FUTURESPARK has been cast! Let me introduce the superb ladies…
 
StephO
 
First up (above) we have the delightful Stephanie Overington, a fresh young actress based in Luton. I recently worked with Stephanie on a charity video to raise awareness of self-harm. She has the right spark of naturalism and plays that vulnerability to suit the part of Natasha brilliantly. I’m really looking forward to working with her more directly and on some new writing.
 
RachelJ
 
Then we have Rachel Jackson who I’m really excited to be working with. I saw Rachel in a Coming Up (Channel 4) episode from a few years back, then saw her in a short play as part of RedFest last year, and both times she’s stuck out for me. She’s got the feistiness in her for sure and the boldness that completes the part of Gemma.
 
Two actresses who will bring my work to life under the direction from the lovely Madelaine Smith. Niceness.
 
REMINDER TO BOOK TICKETS! —> here 

 

FUTURESPARK with @how_it_ended June 16, 2013

I first encountered the theatre company How It Ended Productions on Twitter a few years ago. They were on the lips of many that I’d talked to, and I was intrigued by the work they put out. I even pledged some cash in their WeFund campaign to help them get to Edinburgh. I was all for helping out a theatre company, especially when they were so close to home (they’re based in Luton). I was excited to see their work and looking forward to meeting them. Then I got busy. Which meant that I didn’t get to see their work or meet them.

 

Skip forward a fews years and now they’ve mounting a short play of mine alongside others in their event called FUTURESPARK this July. So I will get to see their work, I will get to meet them and I’m obviously working with them. This pleases me so. My short play DROPPING SEQUINS will be directed by Madelaine Smith who I kind of know already from Twitter firstly, then through a mutual actor friend, and then because I invited her to a reading of one of my other plays to give feedback based on our previous interaction. There you go folks, as they sing in Bugsy Malone, “You give a little love and it all comes back to you (na, na, na, na-na-na-naaaaaaa)“.

 

So we’re casting this week and it’s quite a rhythmical piece, not intentional but it just came out that way. There’s dancing, some spoken word elements… It’s going to be fun. The springboard stimulus was the word ‘Carnival’. I ended up writing about two girls who are best friends getting ready to dance in the carnival – but they’re also planning something else untoward and the Carnival is the perfect cover. But aside from that, I should probably tell you the date, time, place .etc.

 
FUTURESPARK
 
 

11th July – 8:00pm

12th July – 11:00am

 

****CORRECTION****

The second performance is FREE and is for ANYONE! (But if you are a school and would like to arrange a group booking contact futurespark@howitended.co.uk) Both performances will be at the UK Centre For Carnival Arts (UKCCA) and you can buy tickets HERE!

It’s looking to be a treat with 8 short plays, live music and other happenings. I will obviously be in attendance, and if you can get your fine self there too it would be grand. As much as it’s nice getting work on at all, it’s especially nice getting it on so close to home. Come!

 

 

Ship Notes March 27, 2012

I’ve managed to flex my writing muscle in several ways on different projects, each beneficial in their own way. Twitter, whether you like it or not, features heavily in this flexing. It anchors me down to be as precise and clear cut about what I want to say due to the character restriction. Regardless of content it’s a great way to coerce yourself to be more aware of editing. Plus you can see how other people do it too. It’s not for everyone, but I love it. It’s a case of doing things together, en force.
 

This has hung in my dentist since I can remember. And I've been going to him as long as I can remember.

 

This also ties in neatly with Ship Notes. I approached a good friend and fellow creative, Neil Fox, about embarking on a collaboration. It was decided that we would do this. And then the project came about very organically. Myself and Neil have created a fictional relationship out of post-it notes left for one another on a fictional fridge. We’ve conversed in short pithy and poignant post-it notes for an entire year. The relationship we’ve crafted has had glorious moments of beauty and also shitty pockets of malaise through the text. And nothing has been planned. The only thing we were certain on was the fact each note was going to be written on a post-it note so therefore couldn’t be too long, and that we would do it for a year. No stress on how many we had to do, both Neil and myself are busy folks, just await the email in the inbox and respond when you can. The importance on what we wrote was significant. One moment one would be the crutch, the other the victim of selfishness. It really was quite powerful to experience. And when you read the thread back it kicks you around because they are glimmers of a relationship, part of a bigger picture. Things are mentioned that never resurface, recurring moments weedle their way when you least expect it. And all in all it’s a collage of a relationship that both myself and Neil have collectively and instinctively explored. And wow it’s been a real kick to the gut sometimes. The power of a few sentences or even a few words has really made me hone into the language I use in other areas. It’s made me boil down the essence of my long-winded conversations and made me pin it to the mast to act as someone else’s springboard.
 

Found this and various other cues glued into a book on the shelf in The Arcola.

 
It’s a project that has left me smarting at times and also completely enamoured. Many times I’ve opened the email to find myself breathless at the next chapter or laughing incredulously. It really has felt like a relationship that I’ve been on call for when the email pops up, an emotional rollercoaster in every way. And I cannot wait to show them off, but we’re not ready yet. We have two brilliant photographers, Laura Wood and Ben Woodall, who are embarking on a similar journey using our notes. But when we’re ready, you’ll be the first to know.